![]() ![]() While his voice did not strike a listener as particularly memorable, the urgency of the circumstances may have affected him, and just getting through the evening was a commendable achievement.Īll the more focus, then, trained on Damrau, whose previous outings at the Met (including Gilda in the new production of Rigoletto, reviewed here) have been primarily in high-flying, sugar-cake roles. Cordella dispatched his duties capably, and his interactions with Damrau were especially satisfying dramatically. For the second performance of the run, on March 18, Italian tenor Salvatore Cordella stepped in on very late notice to replace Pirgu, who was ill. Perhaps most intriguingly, Plácido Domingo, who has sung Alfredo and conducted Traviata at the Met, would take on the baritone role of Germont, just weeks after celebrating his 72nd birthday. German soprano Diana Damrau, a favorite in New York, would add Violetta to her repertoire, and the rising Albanian tenor Saimir Pirgu would sing Alfredo, a role that has brought him acclaim in other theaters. The Metropolitan Opera’s revival this month of Willy Decker’s stripped-down production of La Traviata (first seen at the Met in 2010 but familiar to European audiences it originated in Salzburg and was recorded for DVD with Anna Netrebko) generated exceptional interest due to its cast. Orchestra and Chorus of the Metropolitan Opera Gastone, Vicômte de Letorières SCOTT SCULLY ![]() ![]() Opera in three acts by Francesco Maria Piave, after La Dame aux camélias by Alexandre Dumas, fils. ![]()
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February 2023
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